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"Maybe it was simply because Chung commanded the stage with such grace, verve, and direction. The second piece in particular — after which Debussy’s classic Syrinx followed in perfect contrast— was a blistering, breathtaking exhibition of skill played in the uppermost register. Chung was focused and exacting; her approach always subtle and completely musical, never falling into unnecessary showmanship.

Chung’s phrasing across the four pieces was so convincing that I could hardly remember to breathe."

Mark Bosch, cutcommon magazine, Oct 2018


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